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Riff Tone
The Moor (Remastered)
Opeth
Guitarmetal1990s
Original Gear
GuitarGibson Les Paul Custom (likely 1970s or 1980s, as used by Mikael Åkerfeldt on Still Life)
AmpPeavey 5150 120-Watt Head
Amp Settings
gain7.5
bass7
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Notes
Studio recording, 1999. Gear confirmed for Still Life album sessions. No evidence of additional preamp pedals or amp simulators on the original studio recording. All evidence points to direct guitar → amp setup for heavy riff sections.
Tone Character(10)
tight and percussivesaturated high-gainarticulate under distortionaggressive attackchunky low endcrisp, biting treblescooped but present midsmodern metal clarityminimal ambiencefocused, compressed sound
Difficulty
The riff section of 'The Moor' is challenging due to its intricate rhythm patterns, fast palm-muted passages, and technical precision required for clean articulation under high gain.
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarGibson Les Paul Custom (likely 1970s or 1980s, as used by Mikael Åkerfeldt on Still Life)
AmpPeavey 5150 120-Watt Head
Amp Settings
gain7.5
bass7
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1999. Gear confirmed for Still Life album sessions. No evidence of additional preamp pedals or amp simulators on the original studio recording. All evidence points to direct guitar → amp setup for heavy riff sections.
Tone Character(10)
tight and percussivesaturated high-gainarticulate under distortionaggressive attackchunky low endcrisp, biting treblescooped but present midsmodern metal clarityminimal ambiencefocused, compressed sound
Difficulty
The riff section of 'The Moor' is challenging due to its intricate rhythm patterns, fast palm-muted passages, and technical precision required for clean articulation under high gain.