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Riff Tone
"The Take Over, the Breaks Over"
Fall Out Boy
Guitarrock2000s
Original Gear
GuitarGibson Les Paul Standard (likely 2000s, Pete Wentz/Patrick Stump era)
AmpMarshall JCM800 (studio, 2007 era, typical for FOB Infinity on High sessions)
Amp Settings
gain6.5
bass6
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Notes
Studio recording, 2007. No direct confirmation of exact Les Paul model or amp for this song, but Les Paul + Marshall stack is widely documented for Patrick Stump in this era. No evidence of alternate guitars or amps for the riff section.
Tone Character(10)
tight and punchycrunchy midrangearticulate rhythm attackclear note separationslightly compressedpresent upper midscontrolled low endno audible modulationmoderate gain, not saturatedstudio clarity
Difficulty
The riff section requires solid palm muting and tight rhythm playing, but uses straightforward power chords and moderate tempo, making it accessible to intermediate players.
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Create Free AccountGuitarrock2000s
Original Gear
GuitarGibson Les Paul Standard (likely 2000s, Pete Wentz/Patrick Stump era)
AmpMarshall JCM800 (studio, 2007 era, typical for FOB Infinity on High sessions)
Amp Settings
gain6.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2007. No direct confirmation of exact Les Paul model or amp for this song, but Les Paul + Marshall stack is widely documented for Patrick Stump in this era. No evidence of alternate guitars or amps for the riff section.
Tone Character(10)
tight and punchycrunchy midrangearticulate rhythm attackclear note separationslightly compressedpresent upper midscontrolled low endno audible modulationmoderate gain, not saturatedstudio clarity
Difficulty
The riff section requires solid palm muting and tight rhythm playing, but uses straightforward power chords and moderate tempo, making it accessible to intermediate players.