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Riff Tone
The Year Summer Ended In June
Misery Signals
Guitarmetal2000s
Original Gear
GuitarGibson Les Paul Standard (early 2000s, likely 2002-2003, as used by Ryan Morgan in studio)
AmpMesa/Boogie Dual Rectifier (studio recording, clean channel)
Amp Settings
gain0
bass5.5
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Notes
Studio recording, 2003 (from 'Of Malice and the Magnum Heart'). No direct evidence for pedals or alternate amps on clean section; gear inferred from era and band interviews for this album. No live/touring substitutions included.
Tone Character(10)
lush and glassywarm and roundedslightly compressedsubtle reverb tailarticulate note separationambient and emotionalnot brittle or harshstudio-polished clarityno audible breakupno modulation swirl
Difficulty
The clean riff requires accurate arpeggios, string skipping, and dynamic control to maintain clarity and emotional impact, making it moderately challenging for intermediate players.
This tone has been researched 2 times by the community
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Create Free AccountGuitarmetal2000s
Original Gear
GuitarGibson Les Paul Standard (early 2000s, likely 2002-2003, as used by Ryan Morgan in studio)
AmpMesa/Boogie Dual Rectifier (studio recording, clean channel)
Amp Settings
gain0
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
This tone has been researched 2 times by the community
Notes
Studio recording, 2003 (from 'Of Malice and the Magnum Heart'). No direct evidence for pedals or alternate amps on clean section; gear inferred from era and band interviews for this album. No live/touring substitutions included.
Tone Character(10)
lush and glassywarm and roundedslightly compressedsubtle reverb tailarticulate note separationambient and emotionalnot brittle or harshstudio-polished clarityno audible breakupno modulation swirl
Difficulty
The clean riff requires accurate arpeggios, string skipping, and dynamic control to maintain clarity and emotional impact, making it moderately challenging for intermediate players.