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Solo Tone

Then Came the Last Days of May

Blue Öyster Cult

Guitarrock1970s

Original Gear

GuitarGibson SG Standard (early 1970s, likely 1971-1972, as used by Buck Dharma on studio recording)
AmpFender Twin Reverb (blackface, used in studio for clean tones)

Amp Settings

gain3.5
bass6

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Effects & Signal Chain

Notes

Studio recording, 1972 album version. Buck Dharma is known to have used a Gibson SG Standard into a Fender Twin Reverb for the original studio recording. No evidence of pedals used on the studio version; live versions sometimes use different gear.

Tone Character(10)
singing sustainsmooth and glassy lead tonewarm and roundedtouch-sensitive dynamicsslightly overdriven ampclear note separationopen and airymild breakup on peaksnot heavily compressedclassic 70s rock solo sound

Difficulty

The solo requires intermediate-level phrasing, expressive bends, and dynamic control to achieve the singing sustain and touch sensitivity of the original recording.

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