Back to CommunityCreate Free Account
Riff Tone
Took My Place
Collision of Innocence
Guitarmetal2010s+
Original Gear
GuitarUnknown (likely modern solidbody electric, possibly with humbuckers)
AmpUnknown (likely modern high-gain amp, model unknown)
Amp Settings
gain7.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct sources specify the exact guitar, pickups, or amp used on the studio recording of 'Took My Place' by Collision of Innocence. No evidence of live vs studio differences. Recording year is post-2010s (exact year unknown).
Tone Character(10)
tight and percussivemodern high-gain saturationarticulate palm-muted chugsclear note separationaggressive attackcompressed and focusedslight ambient reverblow noise floorconsistent heavy riffingno audible modulation
Difficulty
The riff requires intermediate skill due to its tight, palm-muted chugging, precise rhythm, and control of high-gain tone, but does not involve advanced lead techniques or complex chord voicings.
Create an account to adapt this tone to your gear
Create Free AccountGuitarmetal2010s+
Original Gear
GuitarUnknown (likely modern solidbody electric, possibly with humbuckers)
AmpUnknown (likely modern high-gain amp, model unknown)
Amp Settings
gain7.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct sources specify the exact guitar, pickups, or amp used on the studio recording of 'Took My Place' by Collision of Innocence. No evidence of live vs studio differences. Recording year is post-2010s (exact year unknown).
Tone Character(10)
tight and percussivemodern high-gain saturationarticulate palm-muted chugsclear note separationaggressive attackcompressed and focusedslight ambient reverblow noise floorconsistent heavy riffingno audible modulation
Difficulty
The riff requires intermediate skill due to its tight, palm-muted chugging, precise rhythm, and control of high-gain tone, but does not involve advanced lead techniques or complex chord voicings.