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Solo Tone
Tuesday's Gone
Lynyrd Skynyrd
Guitarrock1970s
Original Gear
GuitarGibson Les Paul Standard (likely 1959 or early 1970s, as used by Gary Rossington on studio recordings)
AmpMarshall Plexi (likely Super Lead 1959, as used in studio in early 1970s)
Amp Settings
gain4
bass5.5
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Notes
Studio recording, 1973. Gear based on period-correct interviews and typical Skynyrd studio setup. No direct evidence of pedals for the solo; amp reverb likely used. No evidence of live rig or modern amps for the original studio solo.
Tone Character(10)
warm and smoothsinging sustainslightly compressedtouch-sensitive breakupclear note separationvocal-like phrasingnot overly distortedclassic southern rock leadreverb adds spacemellow highs
Difficulty
The solo requires intermediate phrasing, expressive bends, and dynamic control to achieve the vocal-like, singing sustain and touch-sensitive breakup characteristic of the original recording.
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Create Free AccountGuitarrock1970s
Original Gear
GuitarGibson Les Paul Standard (likely 1959 or early 1970s, as used by Gary Rossington on studio recordings)
AmpMarshall Plexi (likely Super Lead 1959, as used in studio in early 1970s)
Amp Settings
gain4
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1973. Gear based on period-correct interviews and typical Skynyrd studio setup. No direct evidence of pedals for the solo; amp reverb likely used. No evidence of live rig or modern amps for the original studio solo.
Tone Character(10)
warm and smoothsinging sustainslightly compressedtouch-sensitive breakupclear note separationvocal-like phrasingnot overly distortedclassic southern rock leadreverb adds spacemellow highs
Difficulty
The solo requires intermediate phrasing, expressive bends, and dynamic control to achieve the vocal-like, singing sustain and touch-sensitive breakup characteristic of the original recording.