Back to CommunityCreate Free Account
Solo Tone
Ultima iarnã
Bucovina
Guitarmetal2010s+
Original Gear
GuitarUnknown (likely modern superstrat or Les Paul-style, typical for Bucovina's genre and era)
AmpUnknown (no evidence found for specific model; likely high-gain tube amp, Marshall/Peavey/ENGL/Mesa type typical for genre/region)
Amp Settings
gain7.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct sources specify the exact guitar, pickups, or amp used for the solo on 'Ultima iarnã'. No studio or live rig rundown found. Settings and gear inferred from genre, era, and typical Eastern European metal production. Recording year: 2015 (from album 'Nestramutat').
Tone Character(10)
singing sustaintight and articulatefluid legatoclear melodic phrasingmoderate pick attackslight ambienceharmonic claritycontrolled feedbackmodern high-gain saturationnot overly scooped
Difficulty
The solo requires advanced technique due to its fast runs, legato passages, and expressive melodic phrasing, demanding both technical proficiency and dynamic control.
Create an account to adapt this tone to your gear
Create Free AccountGuitarmetal2010s+
Original Gear
GuitarUnknown (likely modern superstrat or Les Paul-style, typical for Bucovina's genre and era)
AmpUnknown (no evidence found for specific model; likely high-gain tube amp, Marshall/Peavey/ENGL/Mesa type typical for genre/region)
Amp Settings
gain7.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct sources specify the exact guitar, pickups, or amp used for the solo on 'Ultima iarnã'. No studio or live rig rundown found. Settings and gear inferred from genre, era, and typical Eastern European metal production. Recording year: 2015 (from album 'Nestramutat').
Tone Character(10)
singing sustaintight and articulatefluid legatoclear melodic phrasingmoderate pick attackslight ambienceharmonic claritycontrolled feedbackmodern high-gain saturationnot overly scooped
Difficulty
The solo requires advanced technique due to its fast runs, legato passages, and expressive melodic phrasing, demanding both technical proficiency and dynamic control.