Back to CommunityCreate Free Account
Solo Tone
Undermind
Phish
Guitarrock2000s
Original Gear
GuitarLanguedoc G2
AmpMesa/Boogie Mark III (likely blue stripe, studio recording era)
Amp Settings
gain4.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2004. Trey Anastasio's signature Languedoc G2 with dual humbuckers was his primary studio guitar for the 'Undermind' album. Mesa/Boogie Mark III was his main amp in this era. No direct evidence of alternate guitars or amps for this solo section.
Tone Character(10)
lush and layeredsinging sustainwarm and smoothclear note separationvocal-like phrasingdynamic and touch-sensitivestudio clarityslightly compressedarticulate lead tonenot overly saturated
Difficulty
The solo requires intermediate technique, with focus on expressive bends, dynamic picking, and timing to match delay repeats, but does not involve extreme speed or advanced technical passages.
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock2000s
Original Gear
GuitarLanguedoc G2
AmpMesa/Boogie Mark III (likely blue stripe, studio recording era)
Amp Settings
gain4.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2004. Trey Anastasio's signature Languedoc G2 with dual humbuckers was his primary studio guitar for the 'Undermind' album. Mesa/Boogie Mark III was his main amp in this era. No direct evidence of alternate guitars or amps for this solo section.
Tone Character(10)
lush and layeredsinging sustainwarm and smoothclear note separationvocal-like phrasingdynamic and touch-sensitivestudio clarityslightly compressedarticulate lead tonenot overly saturated
Difficulty
The solo requires intermediate technique, with focus on expressive bends, dynamic picking, and timing to match delay repeats, but does not involve extreme speed or advanced technical passages.