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Solo Tone
Victim Of Changes
Judas Priest
Guitarmetal1970s
Original Gear
GuitarGibson Flying V (mid-1970s, likely 1976 model)
AmpMarshall 1959SLP Plexi Super Lead Reissue (original: Marshall Plexi Super Lead 100W, late 1960s/early 1970s)
Amp Settings
gain6.5
bass5.5
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Notes
Studio recording, 1975-1976 for 'Sad Wings of Destiny'. Settings and gear confirmed for studio, not live. Pickup selector: bridge. No evidence of additional rack gear or multi-effects in studio for this era.
Tone Character(10)
British crunchsinging sustaintight and percussivebright and articulateaggressive bridge pickupmoderate gain saturationnot a lot of bass or midsthin bright toneclassic Marshall crunchcutting lead presence
Difficulty
The solo requires advanced picking speed, expressive bending/vibrato, and precise phrasing at a brisk tempo, making it challenging for most intermediate players.
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Create Free AccountGuitarmetal1970s
Original Gear
GuitarGibson Flying V (mid-1970s, likely 1976 model)
AmpMarshall 1959SLP Plexi Super Lead Reissue (original: Marshall Plexi Super Lead 100W, late 1960s/early 1970s)
Amp Settings
gain6.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1975-1976 for 'Sad Wings of Destiny'. Settings and gear confirmed for studio, not live. Pickup selector: bridge. No evidence of additional rack gear or multi-effects in studio for this era.
Tone Character(10)
British crunchsinging sustaintight and percussivebright and articulateaggressive bridge pickupmoderate gain saturationnot a lot of bass or midsthin bright toneclassic Marshall crunchcutting lead presence
Difficulty
The solo requires advanced picking speed, expressive bending/vibrato, and precise phrasing at a brisk tempo, making it challenging for most intermediate players.