Riff Tone
Waste
Phish
Original Gear
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Notes
Studio recording, 1996 (Billy Breathes album). Trey Anastasio is known to use his Languedoc G2 with custom-wound humbuckers into a Mesa/Boogie Mark III for clean and edge-of-breakup tones in this era. No direct evidence for pedal use on the 'Waste' riff, but compression is likely always on in his signal chain.
Tone Character(10)
Difficulty
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Amp Settings
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Notes
Studio recording, 1996 (Billy Breathes album). Trey Anastasio is known to use his Languedoc G2 with custom-wound humbuckers into a Mesa/Boogie Mark III for clean and edge-of-breakup tones in this era. No direct evidence for pedal use on the 'Waste' riff, but compression is likely always on in his signal chain.