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Riff Tone
Wave of Mutilation
Pixies
Guitarrock1980s
Original Gear
GuitarFender Jazzmaster (likely 1965, as used by Joey Santiago on Surfer Rosa/Doolittle era)
AmpVox AC30 (likely 1960s JMI, as used by Joey Santiago in studio for Doolittle)
Amp Settings
gain5.5
bass6
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Notes
Studio recording, 1988-1989 Doolittle sessions. No direct evidence for pedals or alternate amps on this track. Guitar and amp inferred from era and known studio photos/interviews. No evidence of alternate pickup types or guitars for this riff section.
Tone Character(10)
bright and cuttingslightly grittyjangly and openpercussive attackmid-forwardclear note separationmodest breakuparticulate pick responsenot heavily saturatedno audible modulation
Difficulty
The riff is built on simple power chords and a straightforward strumming pattern at a moderate tempo, making it accessible to most beginner and intermediate players.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarFender Jazzmaster (likely 1965, as used by Joey Santiago on Surfer Rosa/Doolittle era)
AmpVox AC30 (likely 1960s JMI, as used by Joey Santiago in studio for Doolittle)
Amp Settings
gain5.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1988-1989 Doolittle sessions. No direct evidence for pedals or alternate amps on this track. Guitar and amp inferred from era and known studio photos/interviews. No evidence of alternate pickup types or guitars for this riff section.
Tone Character(10)
bright and cuttingslightly grittyjangly and openpercussive attackmid-forwardclear note separationmodest breakuparticulate pick responsenot heavily saturatedno audible modulation
Difficulty
The riff is built on simple power chords and a straightforward strumming pattern at a moderate tempo, making it accessible to most beginner and intermediate players.