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Solo Tone
We're All To Blame
Sum 41
Guitarmetal2000s
Original Gear
GuitarFender American Professional II Telecaster
AmpMarshall Valvestate 8100 and VHT Pitbull Fifty/CL (blended in studio, as per album session details)
Amp Settings
gain7.5
bass5.5
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Notes
Studio recording for 'Chuck' (2004). Both Marshall Valvestate 8100 and VHT Pitbull Fifty/CL were used together for main guitar sounds on 'We're All To Blame' (per Equipboard and Deryck Whibley's statements).
Tone Character(10)
tight low-endcrisp and forward midssaturated, singing sustainaggressive attackfull-bodied, thick distortionminimal ambience (dry tone)articulate note separationlayered, massive wall of soundslightly scooped but present midspunchy and clear in the mix
Difficulty
The solo requires fast picking, accurate shifts, and clarity under high-gain settings, making it challenging for intermediate players and above.
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Create Free AccountGuitarmetal2000s
Original Gear
GuitarFender American Professional II Telecaster
AmpMarshall Valvestate 8100 and VHT Pitbull Fifty/CL (blended in studio, as per album session details)
Amp Settings
gain7.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording for 'Chuck' (2004). Both Marshall Valvestate 8100 and VHT Pitbull Fifty/CL were used together for main guitar sounds on 'We're All To Blame' (per Equipboard and Deryck Whibley's statements).
Tone Character(10)
tight low-endcrisp and forward midssaturated, singing sustainaggressive attackfull-bodied, thick distortionminimal ambience (dry tone)articulate note separationlayered, massive wall of soundslightly scooped but present midspunchy and clear in the mix
Difficulty
The solo requires fast picking, accurate shifts, and clarity under high-gain settings, making it challenging for intermediate players and above.