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Solo Tone
We're Not Gonna Take It
Twisted Sister
Guitarrock1980s
Original Gear
GuitarCharvel San Dimas (Eddie Ojeda's main guitar, 1984 studio recording)
AmpMarshall JCM800 2203 (studio recording, 1984)
Amp Settings
gain7.5
bass5.5
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Notes
Studio recording, 1984. Eddie Ojeda used a Charvel San Dimas with a Seymour Duncan JB in the bridge into a Marshall JCM800. Settings and pedal use are based on studio context, not live. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
saturated and compressedbright and cuttingsinging sustaintight and focused attackslightly scooped midsarticulate pick responsecrisp treblecontrolled noise floorclassic 80s hard rock leadminimal ambience
Difficulty
The solo requires intermediate-level technique with melodic phrasing, bends, and vibrato, but does not demand advanced speed or complex patterns.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarCharvel San Dimas (Eddie Ojeda's main guitar, 1984 studio recording)
AmpMarshall JCM800 2203 (studio recording, 1984)
Amp Settings
gain7.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1984. Eddie Ojeda used a Charvel San Dimas with a Seymour Duncan JB in the bridge into a Marshall JCM800. Settings and pedal use are based on studio context, not live. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
saturated and compressedbright and cuttingsinging sustaintight and focused attackslightly scooped midsarticulate pick responsecrisp treblecontrolled noise floorclassic 80s hard rock leadminimal ambience
Difficulty
The solo requires intermediate-level technique with melodic phrasing, bends, and vibrato, but does not demand advanced speed or complex patterns.