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Riff Tone
Whipping Post
The Allman Brothers Band
Guitarrock1960s
Original Gear
GuitarGibson Les Paul Standard (1957 Goldtop, Duane Allman) or 1958/59 Les Paul Standard (Dickey Betts)
AmpMarshall JMP 50-watt Plexi (model 1987, 1969 era, likely 4x12 cab, Duane Allman); Marshall JMP 50-watt or 100-watt Plexi (Dickey Betts); possible Fender Twin Reverb for some parts
Amp Settings
gain5.5
bass6.5
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Notes
Studio recording, 1969 debut album. Both Duane Allman and Dickey Betts played Les Pauls with PAF humbuckers into Marshall Plexi amps. No evidence of pedals or effects used for the riff section; amp overdrive only. No effects loop. Settings estimated based on era, genre, and amp model.
Tone Character(10)
British crunchthick, harmonically richpunchy midrangesinging sustaintouch-sensitive dynamicsopen, uncompressed attackclassic rock drivewarm but bitingfull-bodied low endno audible modulation or delay
Difficulty
The riff is challenging due to its odd meter, ensemble tightness, and technical picking demands, making it hard for most intermediate players.
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Create Free AccountGuitarrock1960s
Original Gear
GuitarGibson Les Paul Standard (1957 Goldtop, Duane Allman) or 1958/59 Les Paul Standard (Dickey Betts)
AmpMarshall JMP 50-watt Plexi (model 1987, 1969 era, likely 4x12 cab, Duane Allman); Marshall JMP 50-watt or 100-watt Plexi (Dickey Betts); possible Fender Twin Reverb for some parts
Amp Settings
gain5.5
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1969 debut album. Both Duane Allman and Dickey Betts played Les Pauls with PAF humbuckers into Marshall Plexi amps. No evidence of pedals or effects used for the riff section; amp overdrive only. No effects loop. Settings estimated based on era, genre, and amp model.
Tone Character(10)
British crunchthick, harmonically richpunchy midrangesinging sustaintouch-sensitive dynamicsopen, uncompressed attackclassic rock drivewarm but bitingfull-bodied low endno audible modulation or delay
Difficulty
The riff is challenging due to its odd meter, ensemble tightness, and technical picking demands, making it hard for most intermediate players.