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Riff Tone

White Heat, Red Hot

Judas Priest

Guitarmetal1970s

Original Gear

GuitarGibson Les Paul Custom (1970s, likely black finish, as used by Glenn Tipton and KK Downing on Stained Class)
AmpMarshall JMP 1959 Super Lead (100-watt, non-master volume, as used by Judas Priest in late 1970s studio recordings)

Amp Settings

gain7.5
bass5.5

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Effects & Signal Chain

Notes

Studio recording, 1977-1978 for Stained Class album. No evidence of pedal use for rhythm/riff section; distortion from cranked Marshall amp. No evidence of effects loop or outboard effects for riff. No evidence of live settings or alternate guitars for this section.

Tone Character(10)
tight and percussiveaggressive midrange bitesaturated British cruncharticulate palm-muted attackfocused low endcutting upper midsminimal ambienceharmonically rich distortionfast, precise riff clarityno modulation or time-based effects

Difficulty

The riff requires fast, tight alternate picking and palm muting at a high tempo, with precise timing and aggressive attack, making it moderately challenging for intermediate players.

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