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Riff Tone

White Wedding, Pt. 1

Billy Idol

Guitarrock1980s

Original Gear

GuitarHamer S-Style (custom, 1980s, white, single-coil pickups, as pictured with Steve Stevens in 1986)
AmpMarshall Plexi (likely 1959 Super Lead, as referenced by Steve Stevens and forum consensus for clean/edge-of-breakup tones on this recording)

Amp Settings

gain4
bass6

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Effects & Signal Chain

Notes

Studio recording, 1982. Guitar World and LickLibrary both show Steve Stevens using a Hamer S-Style for this era. Premier Guitar and forum sources confirm Marshall Plexi as the main amp for clean and edge-of-breakup tones. Settings estimated based on typical Marshall Plexi clean setup for early 80s studio. No evidence of live rig or alternate guitars for the clean riff section.

Tone Character(10)
bright and articulatetight and percussivechorus shimmerclear note separationslightly compressedwarm neck pickup toneno audible distortionstudio-cleandynamic response to palm muting80s pop-rock clean

Difficulty

The riff requires intermediate-level palm muting, precise rhythm, and clean articulation with effects. The technical challenge is in maintaining tight timing and clarity while using chorus and palm muting.

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