Back to CommunityCreate Free Account
Solo Tone
Why Can't This Night Go On Forever
Journey
Guitarrock1980s
Original Gear
GuitarGibson Les Paul (likely Custom or Standard, as used by Neal Schon in the 1980s studio recordings)
AmpMarshall amplifier (likely JMP or JCM800, as used by Neal Schon on 1980s Journey studio recordings)
Amp Settings
gain7
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1986. Gear inferred from Neal Schon's known studio setup for the 'Raised on Radio' era. No direct evidence for pedals or amp model for this specific solo, but Les Paul into Marshall is consistent with all available sources for Journey's 1980s solos.
Tone Character(10)
singing sustainsmooth and melodicwarm midrangearticulate note separationexpressive vibratomoderate overdrivetouch-sensitive responserich harmonic contentfull-bodied lead toneno excessive brightness or scooped mids
Difficulty
The solo requires intermediate-level phrasing, expressive bends, and control of sustain and vibrato, but does not demand advanced speed or complex techniques.
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1980s
Original Gear
GuitarGibson Les Paul (likely Custom or Standard, as used by Neal Schon in the 1980s studio recordings)
AmpMarshall amplifier (likely JMP or JCM800, as used by Neal Schon on 1980s Journey studio recordings)
Amp Settings
gain7
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1986. Gear inferred from Neal Schon's known studio setup for the 'Raised on Radio' era. No direct evidence for pedals or amp model for this specific solo, but Les Paul into Marshall is consistent with all available sources for Journey's 1980s solos.
Tone Character(10)
singing sustainsmooth and melodicwarm midrangearticulate note separationexpressive vibratomoderate overdrivetouch-sensitive responserich harmonic contentfull-bodied lead toneno excessive brightness or scooped mids
Difficulty
The solo requires intermediate-level phrasing, expressive bends, and control of sustain and vibrato, but does not demand advanced speed or complex techniques.