Back to CommunityCreate Free Account
Solo Tone
You Never Give Me Your Money
The Beatles
Guitarrock1960s
Original Gear
GuitarFender Rosewood Telecaster
AmpFender 'Silverface' Twin Reverb (1968-69) into Leslie 147RV rotating speaker cabinet
Amp Settings
gain3.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, Abbey Road sessions, 1969. Solo section features George Harrison playing a Fender Rosewood Telecaster through a Leslie 147RV rotary speaker, likely mic'd in the studio. No evidence of additional pedals or effects boxes in the solo section.
Tone Character(10)
swirling, modulated movement from Leslie speakersmooth and vocal-likeslightly overdriven but not fuzzysinging sustainrounded top endwarm midrangeairy and three-dimensionalclear note separationgentle breakupclassic late-60s studio lead
Difficulty
The solo requires intermediate-level phrasing and timing to match the swirling Leslie effect, as well as dynamic control for sustain and smooth transitions, but does not involve advanced speed or complex techniques.
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1960s
Original Gear
GuitarFender Rosewood Telecaster
AmpFender 'Silverface' Twin Reverb (1968-69) into Leslie 147RV rotating speaker cabinet
Amp Settings
gain3.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, Abbey Road sessions, 1969. Solo section features George Harrison playing a Fender Rosewood Telecaster through a Leslie 147RV rotary speaker, likely mic'd in the studio. No evidence of additional pedals or effects boxes in the solo section.
Tone Character(10)
swirling, modulated movement from Leslie speakersmooth and vocal-likeslightly overdriven but not fuzzysinging sustainrounded top endwarm midrangeairy and three-dimensionalclear note separationgentle breakupclassic late-60s studio lead
Difficulty
The solo requires intermediate-level phrasing and timing to match the swirling Leslie effect, as well as dynamic control for sustain and smooth transitions, but does not involve advanced speed or complex techniques.