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Solo Tone
You Should Probably Leave
Chris Stapleton
Guitarcountry2010s+
Original Gear
GuitarFender Jazzmaster (likely 1960s reissue or vintage, sunburst finish)
AmpFender 'Brownface' Princeton Amp 6G2 (1961-1963)
Amp Settings
gain4.5
bass6
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Notes
Studio recording, 2020-2021. Gear inferred from Stapleton's known studio rig and era; no explicit confirmation for this exact solo, but consistent with period-correct sources and live/studio photos. No evidence of pedal use in solo section.
Tone Character(10)
warm and bluesyslightly gritty edgetouch-sensitive responsesinging sustainarticulate note separationsmooth, vocal-like phrasingmid-forward breakupdynamic and expressivenot heavily saturatedamp-driven crunch
Difficulty
The solo requires intermediate technique with expressive bends, vibrato, and dynamic control to achieve the vocal-like phrasing and touch-sensitive response characteristic of Stapleton's style.
This tone has been researched 2 times by the community
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Create Free AccountGuitarcountry2010s+
Original Gear
GuitarFender Jazzmaster (likely 1960s reissue or vintage, sunburst finish)
AmpFender 'Brownface' Princeton Amp 6G2 (1961-1963)
Amp Settings
gain4.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
This tone has been researched 2 times by the community
Notes
Studio recording, 2020-2021. Gear inferred from Stapleton's known studio rig and era; no explicit confirmation for this exact solo, but consistent with period-correct sources and live/studio photos. No evidence of pedal use in solo section.
Tone Character(10)
warm and bluesyslightly gritty edgetouch-sensitive responsesinging sustainarticulate note separationsmooth, vocal-like phrasingmid-forward breakupdynamic and expressivenot heavily saturatedamp-driven crunch
Difficulty
The solo requires intermediate technique with expressive bends, vibrato, and dynamic control to achieve the vocal-like phrasing and touch-sensitive response characteristic of Stapleton's style.